Engella ~ On gesture, Chinese lanterns and swirling cloaks.

I have been practicing gesture. It’s something I really wanted to focus on for some of the illustrations I made for the sci fi story, Engella, by Paul Ian Cross.

I began by seeking out reference material.  I examined how clothing swings when you suddenly turn, and what it does when you walk and are caught in the breeze on a balmy beach.  (Since I didn’t have a balmy beach nearby some of this took place in my head and in my living room).  I made about a million colour studies with pastels to find the right mood for the final painting and then I moved on to making watercolour sketches to decide how to make the watercolour work for what I had in mind.

Part of the story takes place in the future so for inspiration and the pure joy of it all I researched cyber punk and Chinese lanterns, and dark alleyways. I made a cyberpunk mood board on pinterest.   This is something I like to do! A lot. I have collected a huge amount of reference material and inspiration there for other projects and for safe keeping.

Engella

Engella  (graphite)

I sketched out lots of ideas to find Engella and this is who emerged. I love adding energy and movement to my drawing – its so rewarding making the subject come alive and tell a story!

Kindle cover

The book cover (watercolour and watercolour pencil)

 

Bibliography and Inspiration

http://www.pauliancross.co.uk

https://uk.pinterest.com/abakerrasmussen

Anatomy Essentials, Imagine FX/Future Publishing.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

All about Eve

Cocteau Twins

I love you but Ive chosen darkness

Radiohead

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Engella

Kindle cover

A preview for the new book cover I painted! I was invited to collaborate on this e-book recently by the super author/scientist, Paul Ian Cross, and I’ve had so much fun with this project! It’s about a girl called Engella and is set across multiple universes – not only did I work on the book cover but also on some illustrations for the story itself. It’s been such a pleasure – and totally appeals to my Sci Fi geek.  The book is due to launch on Sunday 31st July and it’s free!

http://www.pauliancross.co.uk/home/engella-previewCover

Bibliography and Inspiration

http://www.fontspace.com/indian-type-foundry/rajdhani

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Sketching from the Imagination – An insight into creative drawing, 3dtotal Publishing, 2015

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

Sci-Fi Essentials, Imagine FX/Future Publishing.

 

 Music I listened to

The Devil Wears Prada – Space E.P

Mozart – Requiem

Switchblade Symphony

I turned my son into a zombie receptionist.

The Book Cover

I have explored many avenues for making this thing. Some of the twists and turns lie festering on Growing Paynes  and show a few ideas I explored. One idea actually turned into an illustration for inside the book so all that work was pretty useful!

But here I am – not the final destination because a.) That never ends well and b.)  I am sure the next one will be completely different again, so it’s a temporary solution to an ongoing problem.

Working in my sketchbook, I came up with an entirely different idea from what I had first imagined it would be. I wanted to represent the protagonist and her post apocalyptic world.  I decided to work in graphite and only use colour for the eyes – the eyes are important as there is a lot of tech involved in the story so I wanted the viewer to be drawn to that – and it looks interesting to me. I really love working in greyscale with just a hint of colour!

I also worked on another drawing for the back. Its a zombie receptionist. I used my son as a model for this drawing and I cannot quite decide if he is more annoyed about the fact I turned him into a zombie or if its because I turned him into a woman.

Next I began to think about the cover design.  I wanted to find a font that would work for a book cover – so I did some research on designing a book cover. An internet search brought up a wealth of information. I’ve included a link or two.  I used Photoshop Elements to put it all together – I am an absolute novice with that – I had to get a little help – but it made me realise that I would love to make some digital art and this is definitely something I am going to explore.

But, anyway.  Here it is. The book cover. I hope it says something about the characters, what they are up against, who they are – I hope it invites Alistair’s readers to want to look inside and see more.

http://www.thebookdesigner.com/2011/08/5-great-fonts-for-book-covers/

fontsquirrel.com

Biblography and inspiration

Anatomy Essentials, Imagine FX/Future Publishing.

Beginners Guide to Sketching: characters, creatures and concepts, 3dtotal Publishing, 2015

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

Fantasy Underground – How to Draw Zombies,  Butkis, M, and Destefano, M, Walter Foster Publishing Inc, 2010

Sci-Fi Essentials, Imagine FX/Future Publishing.

Music I listened to

Doom:VS – Dead Words Speak

Cranes – Wings of Joy and Inescabable

Miss May I – Monument

Our Rats are Low

I have been dreaming about rats, although thinking about it, it might have been a very large gerbil, but its probably because I have been drawing rats lately. I think it is true that we often relive or make sense of our waking experiences in our dreams and I have produced a few illustrations involving rats so far, so I decided one more couldn’t hurt.

I rather like rats – there are, perhaps, way too many wild ones for us humans but I think they are inquisitive and intelligent, if a little blood thirsty , gnarly and low. And they are part of the clean-up crew so need fair representation.

Rat

I experimented with pastel pencils, watercolour, watercolour pencils and ink. I don’t want to talk about the ink as it didn’t end well, but the other experiments paid off and I drew (using watercolour and watercolour pencils) a rat that had clearly been up to no good.

I worked with damp paper, dropping in a background wash and then, once dry, I added details and textures with the watercolour pencils. Some of this was blended with a damp brush and then sharpened up again with the pencils.

These are other rats I have worked on. I am especially proud of The Feast (one in graphite) – it married very well with my mission to draw hands and practice gesture. The bonus of the hand being consumed by Low creatures is that wonky bits can easily be blamed on the little nibblers!

Bibliography and Inspiration

Anatomy Essentials, Imagine FX/Future Publishing.

Beginners Guide to Sketching: characters, creatures and concepts, 3dtotal Publishing, 2015

Music I listened to

Chronicles of the Wasteland/ Turbo Kid Original Motion Picture Soundtrack  –  Le Matos, 2015

The Devil Wears Prada – Space EP

Faith and the Muse – various