Funeral Pyrate


Funeral Pyrate and Bartholomew Grim

I have a personal project on the go – loads to do but I have produced some initial drawings and I have a plan, so I figure why not blog about it and share his adventures with the one or two people who bother reading this nonsense.

He is called Funeral Pyrate and he is a strange one. Initially my idea was to use the poor guy as a drawing tool – a way of practicing poses, textures and scenarios – to help me improve and to make it fun.

Because I am self-taught I constantly look for interesting ways to explore ideas and techniques. I decided to create strange people to move around the strange world we live in, and dream about. Funeral Pyrate is the main protagonist who I originally conjured up to assist me with depicting different adventures from dreams and the imagination, and from everyday life.

But I got this really cool book called “How to Draw Sci-fi utopias and distopias” by Prentis Rollins, and it occurred to me that I could use this book alongside Funeral Pyrate and work on my environments at the same time. I think it might be fun to tell this story in pictures. I have drawn out a few pieces – exploring his appearance and personality – and some of that has changed from my initial idea already – just from redraws and daydreaming. I have a picture in my head right now – of Funeral Pyrate and his recently rescued (read ‘dug up’) pals carrying their belongings, heading towards a cityscape, under a dark sky.

More drawings for funeral pyrate

Bibliography and Inspiration

Martin, Justin.,  Poses for Artists, Vol. 1 and 2,  Eagel Ink Factory, Justin Martin, 2016.

Anatomy Essentials, Imagine FX/Future Publishing.

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

500 Manga Villains and Heroes, Yishan Studio, 2010

How to Draw Sci-fi utopias and distopias” by Prentis Rollins, The Monacelli Press, 2016

Music I listened to

Chronicles of the Wasteland/ Turbo Kid Original Motion Picture Soundtrack  –  Le Matos, 2015

The Expanse Soundtrack (Youtube/spotify)

Warm Bodies Soundtrack (Youtube/spotify)



Q is for the Queen of Hearts

I really love paper. It’s so important to how a drawing comes out and I have been spending some time working on a few different types of paper to find out how different the results can be.  I like different types  for different reasons.  The smoother paper is great for a drawing with a smooth and bright finish and the blending of the pencil is cleaner, however it doesn’t allow for too much layering as it doesn’t have enough tooth for the pencils pigment to grip to. A rougher paper has an interesting texture that can work with the drawing. It allows a lot of layering which is good for building up colour depth – the colour is not flat and colours in the lower layers provide a deeper finish so the drawing looks vibrant and less flat.


P is for Pinocchio

The Queens of Hearts was made on 200g/m

Pinocchio was made on smooth 140g/m

Rapunzel was made on printer paper and she suffered badly for it!


R is for Rapunzel

Rapunzel is a mess – the drawing became damaged very easily as I needed to erase and rework an area – this paper does not take a lot of abuse. It was harder to build up layers of pigment, too.  I got quite angry with it, actually! However, I have learned something important. If you run out of your nice paper don’t be lazy and go to the damn shop!

All of these drawings were made for the Twitter challenge I joined. Previous drawings are here – creatures

Tooth – texture, rough or smooth – the more tooth the paper has the rougher the texture; the less tooth, the paper is smoother.

Bibliography and inspiration

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016

Music I listened to

The Birthday Massacre – Superstition (I am addicted to this album – 3 weeks and counting!)