Funeral Pyrate and the Animaloonies

I have joined in with another drawing collective on Twitter. It seemed the perfect opportunity to get Funeral Pyrate out of the house. Each month a different animal is chosen to be inflated like a balloon. Its pure silliness and a lot of fun!
I am grouping all of my balloons together. Each month I will add the new balloon.

Eventually Funeral Pyrate will fly!

Animaloon gopher

Funral Pyrate and his balloons

 

So far we have done a cat, a dog, a sloth and a gopher. I will re work this design at some point and make it with watercolour, for fun/practice. I have to say it though, my heart has been stolen by the Polychromos pencils. Perhaps the two can be a team!

 

Bibliography and inspiration

Sci-Fi Essentials, Imagine FX/Future Publishing.

Anatomy for Fantasy Artists – An essential guide to creating action figures and fantastical forms, Fabry, G., and Cormack, B., David and Charles Publishers, 2006.

Animaloon Collective – @animaloonies

Music I listened to

Logan Soundtrack

Warm Bodies soundtrack

Interpol – The Undoing, Always Malaise, etc

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Protector

Mermaid Protector

Protector ~ she protects the dugongs and manatees; only feeding on seagrass and the souls of those who harm the seagrass meadows.

She is based on my recent drawings of dugongs for Animal Alphabets (Twitter).

Inspired by a fun mermaid challenge during  May on social media this month, because its May. And why not? The challenge is to make a mermaid piece every day and hashtag it ‘#mermay’  so you can share it with the  world (on Instagram and Twitter). I have failed miserably since I have only managed one so far but I got to practice my watercolour painting  and that’s pretty important. I might do another, who knows. The “problem” is I have got a lot of work on right now – my own project – Funeral Pyrate, and two book commissions (yay!) which I am pretty excited about!   I feel incredibly busy right now and my blog is suffering as usual, but my watercolour practice is not – I have found some brushes that suit me and I’m slowly investing in some good paint (Windsor and Newton Professional/Artist quality) both of  which has made a massive difference to my results and enjoyment. It turns out cheaper paint is actually quite hard to manipulate compared to the better quality stuff. I still have a lot to learn but my confidence is slowly building with this gorgeous, unpredictable medium and I will continue to use it every day to make sure I improve.

Bibliography and Inspiration

The Art of Loish, A Look Behind the Scenes, Lois Van Baarle , 3DPublishing, 2016

ImagineFX

Instagram

Twitter

Pinterest

 

Music I listened to

Turbo Kid Soundtrack (I am obsessed)

The Birthday Massacre (still obsessed)

Miss May I – Monument

 

 

 

 

Vasilisa the Fair

This illustration pretty much demanded some kind of paint – I tried in vain to make a night time scene with coloured pencil. What a stupid idea, that was! It just ended up looking so dull and messy – I think its possibly problem with the polychromos as they are not very blendable but I’m not really sure that if I owned a coveted tin of prismacolour I could have achieved the shiny brightness I had in mind –perhaps on a large scale that’s a big ask for a coloured pencil. But since I don’t have those pencils to test that theory I was forced to turn to the watercolours.

I am glad I did because even though lots of the expected watercolour problems did occur (e.g mud and cauliflowers blooms) I seem to have learned to either welcome them or fix them. Patience is the most important thing but knowing a little about how watercolour behaves on the paper is also very useful. I think what annoys me those most is the tests I make before I commit often looks better than the piece. And I always use the same paper for the test – always! Vasilisa the no fair!

I guess small tests don’t always help predict the larger outcome but one positive is that my tests used to look pretty bad and now most often they look pretty good. It’s perhaps these little things that show progress with watercolours will be made. Even if it is slow. Which is sort of my fault as I should spend more time on it than I do; watercolour paper is expensive!

Bibliography and Inspiration

www.artistdaily.com

Dreamscapes Fantasy World, Stephanie Pui-Mun Law, Impact Books, Cincinnati,Ohio, 2014.

500 Manga Villains and Heroes, Yishan Studio, 2010

https://en.wikipedia.org/wiki/Vasilisa_the_Beautiful

Music I listened to

The Raveonettes – Pretty in Black

The Birthday Massacre

Funeral Pyrate

funeral-pyrate-and-bartholomew-grim

Funeral Pyrate and Bartholomew Grim

I have a personal project on the go – loads to do but I have produced some initial drawings and I have a plan, so I figure why not blog about it and share his adventures with the one or two people who bother reading this nonsense.

He is called Funeral Pyrate and he is a strange one. Initially my idea was to use the poor guy as a drawing tool – a way of practicing poses, textures and scenarios – to help me improve and to make it fun.

Because I am self-taught I constantly look for interesting ways to explore ideas and techniques. I decided to create strange people to move around the strange world we live in, and dream about. Funeral Pyrate is the main protagonist who I originally conjured up to assist me with depicting different adventures from dreams and the imagination, and from everyday life.

But I got this really cool book called “How to Draw Sci-fi utopias and distopias” by Prentis Rollins, and it occurred to me that I could use this book alongside Funeral Pyrate and work on my environments at the same time. I think it might be fun to tell this story in pictures. I have drawn out a few pieces – exploring his appearance and personality – and some of that has changed from my initial idea already – just from redraws and daydreaming. I have a picture in my head right now – of Funeral Pyrate and his recently rescued (read ‘dug up’) pals carrying their belongings, heading towards a cityscape, under a dark sky.

More drawings for funeral pyrate

Bibliography and Inspiration

Martin, Justin.,  Poses for Artists, Vol. 1 and 2,  Eagel Ink Factory, Justin Martin, 2016.

Anatomy Essentials, Imagine FX/Future Publishing.

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

500 Manga Villains and Heroes, Yishan Studio, 2010

How to Draw Sci-fi utopias and distopias” by Prentis Rollins, The Monacelli Press, 2016

Music I listened to

Chronicles of the Wasteland/ Turbo Kid Original Motion Picture Soundtrack  –  Le Matos, 2015

The Expanse Soundtrack (Youtube/spotify)

Warm Bodies Soundtrack (Youtube/spotify)