Paper

q-is-for-the-queen-of-hearts

Q is for the Queen of Hearts

I really love paper. It’s so important to how a drawing comes out and I have been spending some time working on a few different types of paper to find out how different the results can be.  I like different types  for different reasons.  The smoother paper is great for a drawing with a smooth and bright finish and the blending of the pencil is cleaner, however it doesn’t allow for too much layering as it doesn’t have enough tooth for the pencils pigment to grip to. A rougher paper has an interesting texture that can work with the drawing. It allows a lot of layering which is good for building up colour depth – the colour is not flat and colours in the lower layers provide a deeper finish so the drawing looks vibrant and less flat.

p-is-for-pinocchio

P is for Pinocchio

The Queens of Hearts was made on 200g/m

Pinocchio was made on smooth 140g/m

Rapunzel was made on printer paper and she suffered badly for it!

r-is-for-rapunzel

R is for Rapunzel

Rapunzel is a mess – the drawing became damaged very easily as I needed to erase and rework an area – this paper does not take a lot of abuse. It was harder to build up layers of pigment, too.  I got quite angry with it, actually! However, I have learned something important. If you run out of your nice paper don’t be lazy and go to the damn shop!

All of these drawings were made for the Twitter challenge I joined. Previous drawings are here – creatures

Tooth – texture, rough or smooth – the more tooth the paper has the rougher the texture; the less tooth, the paper is smoother.

http://helloartsy.com/how-to-choose-quality-drawing-paper/

Bibliography and inspiration

http://helloartsy.com/how-to-choose-quality-drawing-paper/

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016

Music I listened to

The Birthday Massacre – Superstition (I am addicted to this album – 3 weeks and counting!)

Advertisements

Red

l-is-for-little-red-riding-hood

Little Red Riding Hood

I drew Little Red Riding Hood walking through the woods – she carries her axe for comfort and protection. Still, she startles at shadows as she sees the terrifying face of her enemy, the Big Bad Wolf, lurking among the leaves and branches of the trees.

Any excuse to draw trees. It’s been a while!  I really like the tree silhouettes in the graphic novel  Pride and Prejudice with Zombies so I took some inspiration from there, and  for Red, my Poses book has proved invaluable. I can’t recommend it enough – for me it really helps me double check my angles and gesture and its such great practice.

I am continuing my exploration with the polychromos pencils. I wish I had more! They are lovely to use and you can buy 120 of them! I have about 30; and a mission to buy them all!

Bibliography and Inspiration

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

The Devil Wears Prada – Dear Love: A Beautiful Discord

The Birthday Massacre – Superstition

2B, or not 2B

Finding time, when you have no time.

Summer holidays and there is no time to draw when I feel the urge. Luckily, I have no idea how to just stop and be still these days so when I do get a spare minute I usually grab it. I decided to just relax and sketch and look for inspiration from other artists and illustrators (there are lots of examples in my Sketchbook). It’s also a great excuse to enjoy all the books I collect – so far I have worked from A Brain is for Eating, Poses for Artists  1 and 2,  and ImagineFX (bibliography below).  I concentrated on gesture but didn’t try to use the media they used – I love working with graphite and it’s a chance to practice!

AgfaPhoto DIGITAL CAMERA

Working from A Brain is for Eating, by D and A Jacobs, illustrated by Scott Brundage

I am really enjoying the light touch of the harder range of pencils in my pencil box.  I remember being criticised by a well-meaning advisor an age ago – asking me if I thought that was correct? Weren’t they too hard? I took it to heart and listened to this advice. I really shouldn’t have!! The hard pencils are perfect for lighter tones – you can build up tone and you can use them to figure out the initial line drawing without messing up your paper – lightly done pencil work will leave very little evidence of initial errors and, if you want to add watercolour later, hard pencils don’t dissolve into your paint like the B’s will.

AgfaPhoto DIGITAL CAMERA

Dynamic figure practice – from Poses for Artists (Justin Martin)

I think learning from other artists and other peoples methods is a very useful approach – trying to make what they make really makes you stop and think about the how of a drawing and, personally, it makes me look at other drawings differently, too.  Saying that, it’s important to remember your own voice because what works for other people may not be right for you.

All this book worming is making me want to make something. Anything!

Bibliography and Inspiration

A Brain is for Eating, D and A Jacobs, illustrated by Scott Brundage, Pale Dot Voyage, 2013

Martin, Justin.,  Poses for Artists, Vol. 1 and 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Anatomy Essentials, Imagine FX/Future Publishing.

 

Music I listened to

Really bloody annoying Minecraft songs from YouTube.

Engella ~ On gesture, Chinese lanterns and swirling cloaks.

I have been practicing gesture. It’s something I really wanted to focus on for some of the illustrations I made for the sci fi story, Engella, by Paul Ian Cross.

I began by seeking out reference material.  I examined how clothing swings when you suddenly turn, and what it does when you walk and are caught in the breeze on a balmy beach.  (Since I didn’t have a balmy beach nearby some of this took place in my head and in my living room).  I made about a million colour studies with pastels to find the right mood for the final painting and then I moved on to making watercolour sketches to decide how to make the watercolour work for what I had in mind.

Part of the story takes place in the future so for inspiration and the pure joy of it all I researched cyber punk and Chinese lanterns, and dark alleyways. I made a cyberpunk mood board on pinterest.   This is something I like to do! A lot. I have collected a huge amount of reference material and inspiration there for other projects and for safe keeping.

Engella

Engella  (graphite)

I sketched out lots of ideas to find Engella and this is who emerged. I love adding energy and movement to my drawing – its so rewarding making the subject come alive and tell a story!

Kindle cover

The book cover (watercolour and watercolour pencil)

 

Bibliography and Inspiration

http://www.pauliancross.co.uk

https://uk.pinterest.com/abakerrasmussen

Anatomy Essentials, Imagine FX/Future Publishing.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

All about Eve

Cocteau Twins

I love you but Ive chosen darkness

Radiohead

The Gnarly Knuckle

I’ve been doing some work on hands – it’s something I’ve really started to love to draw – they are not that easy and just to make life even harder I like to choose really awkward poses – it’s rewarding to draw, more interesting to look at and sometimes a gnarly zombie hand emerges from the graphite dust just begging for some rot to be added to its suffering limbs, and what’s not to like about that!?

AgfaPhoto DIGITAL CAMERA

Hand drawn in graphite

The first drawing was done from some photos of my hand and arm in tense gestures. I wanted all the tendons to show so I could try getting the tension down on paper. I think I succeeded and the next step was to re-do the piece in watercolour pencil, like another zombie hand I made recently.  I used tracing paper to transfer the image and I did a little research (see bibliography) to figure out what level of rot and bone exposure I would be going for.

I traced it onto a watercolour background I had painted previously – I like practicing washes and trying different colour mixes to create atmosphere, and I always try and make them with possible backgrounds for drawings in mind – it’s less wasteful!

AgfaPhoto DIGITAL CAMERA

The Gnarly Knuckle – gnarled with watercolour pencils

For this drawing, I intentionally used a lot more watercolour pencil than I would normally go for as I wanted the hand to look like old, rotten, dirty skin – perhaps a little too much in retrospect as there were some areas that looked a little too muddy even for a dead thing – so, I re-wet the areas I wasn’t happy with and lifted some of the colour off with some clean kitchen paper. I then used a clean, wet brush to blend and pull the colours around until I was happy. Once dry, I went back in with the watercolour pencil and tidied up any lost lines or little details I wanted to keep. I will probably do more pieces like these – it’s excellent practice and seriously good for ones calm.

Bibliography and Inspiration:

Leonardo da Vinci, Anatomist , Clayton. M, and Philo, R, Royal Collection Publications, 2014

Fantasy Underground – How to Draw Zombies,  Butkis, M, and Destefano, M, Walter Foster Publishing Inc, 2010

Beginners Guide to Sketching: characters, creatures and concepts, 3dtotal Publishing, 2015

3dtotal.com

Craftsy.com

Music I listened to:

The Zombie E.P – The Devil Wears Prada

Siouxie and the Banshees-  Hyaena

The Chameleons

Requiem in White

Creeps of London Underground

I have been drawing zombies and zombie portraits for a book a friend of mine is writing – he is self-publishing and when he asked if I would help I was really excited as I am big a fan of the old zombie!

He had a deadline and so my earlier drawings needed to be kept simple – I didn’t have that much time to explore some of the ideas I had so I saw book 1 as a chance to develop characters.  Now I am on book 2 I am continuing working on the characters but I am also taking my ideas a little further and exploring action, gesture and composition.

Blood Chin Zombie

This is one of my newer zombie portraits – a recently infected wreck of a man who just scored a meal. Compared to my previous portraits I have focused more on detail, rather than mood, as I have started to think about the decomposition of muscle and flesh. It’s no way near that point yet – but I can see my exploration of anatomy is going to be useful for this project and that’s the next step for me – I will be working from the inside out.

Like my other attempts, I used charcoal and a variety of old watercolour brushes for blending.  I spent some time looking at zombie art and graphic novels, and I bought “Fantasy Underground – How to Draw Zombies” so I could take some lessons – my page “Zombie Book” includes some of the little projects I did and I think they were really useful and most importantly, lots of fun. I’m also using “Anatomy for Fantasy Artists” which has been very useful for gesture, anatomy and reference photos.

Tunnel zombies

This is a scene I am working on (I think it’s almost finished) showing zombies creeping towards a fleshy meal in the dark tunnels of the London Underground. I used vanishing point to work out the perspective and I tried to make sure all the heads of the upright zombies in the mid ground and background were at the same level which helps keep the perspective consistent. I began by lightly working out the larger shapes and then focusing on the gesture, capturing the smaller details as I went along. I used graphite and a lot of swearing.

 

Bibliography and Inspiration

Leonardo da Vinci, Anatomist , Clayton. M, and Philo, R, Royal Collection Publications, 2014

Fantasy Underground – How to Draw Zombies,  Butkis, M, and Destefano, M, Walter Foster Publishing Inc, 2010

Anatomy for Fantasy Artists – An essential guide to creating action figures and fantastical forms, Fabry, G., and Cormack, B., David and Charles Publishers, 2006.

The Walking Dead Vol. 1, Kirkman, R. and Moore, T. Image Comics, 2006.

The Walking Dead Vol 2 -17, Kirkman, R., et al, Image Comics.

Revival, Seeley, T. and Norton, M., Image Comics,

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Music I listened to

The Zombie E.P – The Devil Wears Prada

The Powerless Rise – As I Lay Dying

An Ocean Between Us – As I lay Dying

JuJu – Siouxsie and the Banshees.

Creep  – Radiohead

My Dead Hand

This is the first instalment of my art journal. One of the things I always find daunting is drawing realistic hands and I want to address that because it is one of the main reasons I am nervous about drawing actual people. I decided I needed to learn about anatomy so that my attempts do not look so wooden and they look believable.  Besides, to draw a good zombie one must be aware of its innards!

This is My Dead Hand – it’s actually my hand and I have zombified it. I used watercolour for the background and watercolour pencil for the hand itself.

 

 

These hand sketches are the result of gesture exercises from a class I bought on Craftsy – a very useful online resource which provides tuition videos and feedback on many creative endeavours. I have also been looking at Da Vinci’s “Anatomist” and some of the Fantasy Underground books for some clues and inspiration.

 

I have been practicing drawing hands with graphite on rough paper, as you go through a lot just finding the movement and shape to begin with, and it seemed less wasteful than using up a good sketchbook.  I get a little precious over nice paper so this approach helped me loosen up and throw caution to the wind! My aim is to show the gesture and energy in the hand and I think these sketches are good examples of the stages and the progress I have made so far. The more polished piece (dare I say finished?) is for a zombie story a friend of mine is self-publishing. He asked me to do some illustrations for his book – a task which has been hard work but motivating, and one that has helped me to focus on some of the goals that are important to me; improving my knowledge on anatomy, and developing my skills using gesture. I am now working on the second volume and this drawing is one I hope to include.

The zombie hands were rendered using watercolour for the background and watercolour pencils for the hands. I have always wanted to make a decent water colour piece but I have had very little success. I don’t think I have the patience. Water soluble pencils are great because you can make the drawing and then use water to make it look more painterly. They appeal to me as I am more of a drawer than a painter. I have realised through trial and error to move the water away from the light area to the dark – otherwise flat or even muddy nightmares result.  I’ve included some of my favourite sketches here and the rest of them are on my sketchbook page – a sort of gallery of efforts  and progress.

Bibliography and Inspiration:

craftsy.com

Leonardo da Vinci, Anatomist , Clayton. M, and Philo, R, Royal Collection Publications, 2014

Fantasy Underground – How to Draw Zombies,  Butkis, M, and Destefano, M, Walter Foster Publishing Inc, 2010

Beginners Guide to Sketching: characters, creatures and concepts, 3dtotal Publishing, 2015

3dtotal.com

 

Music I listened to:

The Zombie E.P – The Devil Wears Prada

The Powerless Rise – As I Lay Dying

Requiem – Mozart

Ocean Rain – Echo and the Bunnymen