26 Fairytales later

It is a proud moment when you complete a drawing challenge! This has been a lot of fun and I think I have learned a lot from it – not only in creating characters and settings but also in meeting a weekly deadline on top of all the other projects I am working on.

26 weeks later – the next round will be about endangered animals. Challenge accepted! I will continue to collect them on my page dedicated to creatures.

Bibliography and Inspiration

This was over a long period so it covers a lot of reading and research – I usually use at least 2 or 3 of my books for reference and inspiration for each drawing. So. Pretty much all of this.

Music I listened to.

I always listen to music when I draw. Again, this was over a long period and I have probably forgotten a lot of it but I can safely say it was:

Mozart – Requiem

The Birthday Massacre – especially Superstition

Siouxsie and the Banshees

Westworld Soundtrack

Echo and the Bunnymen – Ocean Rain

The Devil Wears Prada – Space EP

Interpol

Turbo Kid Soundtrack

 

 

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Paper

q-is-for-the-queen-of-hearts

Q is for the Queen of Hearts

I really love paper. It’s so important to how a drawing comes out and I have been spending some time working on a few different types of paper to find out how different the results can be.  I like different types  for different reasons.  The smoother paper is great for a drawing with a smooth and bright finish and the blending of the pencil is cleaner, however it doesn’t allow for too much layering as it doesn’t have enough tooth for the pencils pigment to grip to. A rougher paper has an interesting texture that can work with the drawing. It allows a lot of layering which is good for building up colour depth – the colour is not flat and colours in the lower layers provide a deeper finish so the drawing looks vibrant and less flat.

p-is-for-pinocchio

P is for Pinocchio

The Queens of Hearts was made on 200g/m

Pinocchio was made on smooth 140g/m

Rapunzel was made on printer paper and she suffered badly for it!

r-is-for-rapunzel

R is for Rapunzel

Rapunzel is a mess – the drawing became damaged very easily as I needed to erase and rework an area – this paper does not take a lot of abuse. It was harder to build up layers of pigment, too.  I got quite angry with it, actually! However, I have learned something important. If you run out of your nice paper don’t be lazy and go to the damn shop!

All of these drawings were made for the Twitter challenge I joined. Previous drawings are here – creatures

Tooth – texture, rough or smooth – the more tooth the paper has the rougher the texture; the less tooth, the paper is smoother.

http://helloartsy.com/how-to-choose-quality-drawing-paper/

Bibliography and inspiration

http://helloartsy.com/how-to-choose-quality-drawing-paper/

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016

Music I listened to

The Birthday Massacre – Superstition (I am addicted to this album – 3 weeks and counting!)

New Shanghai

new-shanghai-graphite-and-digital

New Shanghai – digitally enhanced

A while ago I was invited to collaborate on an e-book- Engella – with the super author/scientist Paul Ian Cross and I’ve had so much fun with this project! It’s set across multiple universes -a sci-fi geek’s dream come true! It included bonus illustrations, and this one is my favourite. I like working traditionally – it makes me happy, but sometimes sci-fi kind of demands a bit more – I really wanted to have a dusky cityscape with lights and rockets launching; and that meant trying digital.

Learning to draw digitally and using it with my traditional works is a great ambition of mine. This is my first attempt and I am really proud of the outcome. It has given me a huge desire to do more.

I worked on the cityscape in graphite and then used the fill function on Photoshop Elements (PSE) to create the dark city sky, add all the lights and enhance the chem trails.

new-shanghai

New Shanghai – original graphite

 

http://www.pauliancross.co.uk

Bibliography and Inspiration

Sci-Fi Essentials, Sketching from the Imagination – An insight into creative drawing, 3dtotal Publishing, 2015

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

Imagine FX/Future Publishing.

Music I listened to

Some space music on you tube –it’s a thing!

The Devil Wears Prada – Space E.P

Mozart – Requiem

Faith and the Muse

The Birthday Massacre

Red

l-is-for-little-red-riding-hood

Little Red Riding Hood

I drew Little Red Riding Hood walking through the woods – she carries her axe for comfort and protection. Still, she startles at shadows as she sees the terrifying face of her enemy, the Big Bad Wolf, lurking among the leaves and branches of the trees.

Any excuse to draw trees. It’s been a while!  I really like the tree silhouettes in the graphic novel  Pride and Prejudice with Zombies so I took some inspiration from there, and  for Red, my Poses book has proved invaluable. I can’t recommend it enough – for me it really helps me double check my angles and gesture and its such great practice.

I am continuing my exploration with the polychromos pencils. I wish I had more! They are lovely to use and you can buy 120 of them! I have about 30; and a mission to buy them all!

Bibliography and Inspiration

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Pride and Prejudice and Zombies: The Graphic Novel, Austen, J. and Grahame-Smityh, S., Titan Books, 2009.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

The Devil Wears Prada – Dear Love: A Beautiful Discord

The Birthday Massacre – Superstition

Jack

I have been busy working on more fairy tales. I especially love my attempt at Jack and the Beanstalk. I think it is because I had the time to work on the environment for this one.

j-is-for-jack-and-the-beanstalk

Jack

It’s  a very simple environment and  I am keen to practice and develop my ideas with more depth and textures – they just add so much more to the  story. I have collected a huge amount of inspiration for this idea. My ImagineFX subscription is probably the best thing I did this year! So, as usual, no new year resolutions except to learn something. Last year I wanted to practice my figures and character design. This year I want to continue with that but take it a step further and give them a place within their story.

Some of my other illustrations (up to K, so far) are here – Creatures.

Bibliography and Inspiration

Fairy tales!

ImagineFX Future Publishing

500 Manga Villains and Heroes, Yishan Studio, 2010

Fantasy Underground – How to Draw Zombies,  Butkis, M, and Destefano, M, Walter Foster Publishing Inc, 2010

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

Warm Bodies Soundtrack

The Birthday Massacre

A is for Alice

I have been so busy making things; other things have been left behind (this blog, for example!) and that annoys me.  Saying that, I think if you find the motivation to make something then you should embrace it, as it’s not always guaranteed! One thing I’ve come to realise, though, is that waiting for inspiration to come your way could mean you are in for a very long wait – actively seeking out ideas and inspiration will most definitely help you find your way – or another way – eventually. Sitting on your arse probably won’t.

a-is-for-alice

A is for Alice

This lead me to the fact that I needed a change so I started taking part in a fun weekly drawing challenge on Twitter called Animal Alphabets https://twitter.com/hashtag/animalalphabets

It’s a lot of fun , provides a weekly source of inspiration and its amazing how so many people take part in the challenge yet each submission is so cool and unique!

Currently it’s up to E and I have encamped the rest of my progress (so far) on my Creatures page.

Bibliography and Inspiration

Martin, Justin.,  Poses for Artists, Vol. 1 and 2, Eagel Ink Factory, Justin Martin, 2016.

Anatomy Essentials, Imagine FX/Future Publishing.

Sketching from the Imagination: Sci Fi, 3dtotal Publishing, 2015

Music I listened to

Queen of the Damned Soundtrack

The Raveonettes

Interpol

Engella ~ On gesture, Chinese lanterns and swirling cloaks.

I have been practicing gesture. It’s something I really wanted to focus on for some of the illustrations I made for the sci fi story, Engella, by Paul Ian Cross.

I began by seeking out reference material.  I examined how clothing swings when you suddenly turn, and what it does when you walk and are caught in the breeze on a balmy beach.  (Since I didn’t have a balmy beach nearby some of this took place in my head and in my living room).  I made about a million colour studies with pastels to find the right mood for the final painting and then I moved on to making watercolour sketches to decide how to make the watercolour work for what I had in mind.

Part of the story takes place in the future so for inspiration and the pure joy of it all I researched cyber punk and Chinese lanterns, and dark alleyways. I made a cyberpunk mood board on pinterest.   This is something I like to do! A lot. I have collected a huge amount of reference material and inspiration there for other projects and for safe keeping.

Engella

Engella  (graphite)

I sketched out lots of ideas to find Engella and this is who emerged. I love adding energy and movement to my drawing – its so rewarding making the subject come alive and tell a story!

Kindle cover

The book cover (watercolour and watercolour pencil)

 

Bibliography and Inspiration

http://www.pauliancross.co.uk

https://uk.pinterest.com/abakerrasmussen

Anatomy Essentials, Imagine FX/Future Publishing.

Martin, Justin.,  Poses for Artists, Vol. 2, Standing Poses, Eagel Ink Factory, Justin Martin, 2016.

Music I listened to

All about Eve

Cocteau Twins

I love you but Ive chosen darkness

Radiohead